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How
Pulpwood Annie Met Scarlett O’Hara
I
certainly was in for a surprise when I wound tape #12 onto the Ampex and
turned it on. Seems Annie had just come back from the local movie
theater, where a newly released version of Gone With the Wind was
playing. Apparently, Annie had not viewed the film before, much less
read the book.
"I just seen a movie about the Old South," she blabbed into the
microphone. They shore dressed funny back then. Don’t know how them
women stood it in all them skirts and underwear."
Let me add that Annie was infamous for wearing as little as
possible, and as I recall her once describing her choice of lingerie,
her underwear usually consisted either of fishnet pantyhose or those
awful split-at-the-crotch numbers that Frederick’s of Hollywood
pioneered.
However, Annie’s main interest was in Scarlett O’Hara and the men in
her life. It became apparent that her evaluation of the South’s
best-known literary heroine found poor Scarlett somewhat lacking in
taste.
"Lordy! Look at all them sorry men she took up with!" Annie said,
ignoring the cardinal grammatical rule about ending a sentence with a
preposition. "Who in the world would want to marry that jerk Charlie
Hamilton? (!) Talk about a mamma’s boy! Scarlett was shore lucky that
Charlie hauled off and died of the whoopin’ cough or the measles or
whatever as quick as he did. She’d have spent the rest of her life
pickin’ cotton and nursemaidin’ that guy. What a loser!"
Annie then took on Scarlett’s endless, non-reciprocal lust for the
scion of Twelve Oaks. "Wonder what it was that made her want that Ashley
so much?" she pondered. "I shore don’t see it. He lost his house and
farm to the Yankees, he wasn’t no good as a clerk, and all he wanted to
do was walk around kinda dreamy like and talk about the good ole days.
Phooey! Best thing about most ‘good ole days’ is that they are gone!
"Can’t decide who was the worstest choice-—Charlie or Ashley. Maybe
it woulda been better if Charlie and Ashley had teamed up. That sorta
thing musta been goin’ on back then. Only question is, which one of them
would have been the ‘wife’?"
On this pregnant thought, Annie dropped her explosive concept and
advanced to another idea.
It came as no surprise to me that Annie was fascinated by Belle
Watling, the Atlanta madam. She liked Belle’s bleach-from-the-bottle
hair, her gaudy, low-cut gowns and her easy way with men.
"Now, I can identify with that Belle," Annie said. "She had a real
fancy cat house, too. Not like them dumps here in Zenobia that I have to
work from."
The only place where Annie parted ways with Belle was when Belle
donated some of her tainted money for The Cause.
"Damned if I would give a nickel of my hard-earned cash to them
snooty Atlanta society dames," she said with a snarl. "Not even to that
mamby-pamby Melody! (!!) She was just too kissy-sweet for my tastes! I
ain’t at all surprised that Melody had such a time givin’ birth to that
baby. Maybe if Melody had pulled a few shifts at the sock factory like
my ma did, she’d have popped that baby out and then got up and fixed
supper for everybody!"
Wow! What a scene that would have made in the movie. Where was Annie
when David Selznick was dictating the script? Or when Margaret Mitchell
was writing the book?
Gerald O’Hara—-Scarlett’s father-—was one of Annie’s favorites. She
admired his bluster and unabashed fondness for his daughters-—especially
Scarlett. However, Gerald’s Irish accent tended to throw her, and she
commented that he certainly didn’t talk like people do today.
"Guess he oughta have took a few ridin’ lessons, since he kept
running them horses at fences and hedges. Shoulda known he’d end up ass
over elbows and on the ground sooner or later," she added.
I was bemused to hear that Annie showed great interest in and
support for the carpetbagger Jonas Wilkerson and the Slattery woman he
had impregnated and later married. After all, these were people who were
typical for Annie, and this also was behavior that was common, normal
and natural in her less-than-elevated society. In fact, she said it was
a downright shame that Scarlett was able to save Tara from Jonas
Wilkerson’s clutches.
"Them O’Haras had their time at bat," Annie observed with unwavering
blue-collar logic and empathy, unaware of the inappropriate sports
comparison she used. "And them Wilkersons and Slatterys shoulda had a go
at runnin’ the farm. Wish my folks had had a chance like that! I can
name plenty of stuck-up people right here in Zenobia that I would be
glad to kick outta house and home!"
Well! So much for Southern solidarity in the face of the enemy.
She dismissed Scarlett’s desperate marriage to Frank Kennedy with a
snort. Annie saw him as little more than a middle-aged version of
"Charlie" Hamilton and virtually cheered as she alluded to Frank’s death
on the Decatur Road. "Serves him right for gettin’ mixed up with
somebody like that Scarlett," Annie said smugly. "I’d of shot him
myself, if I’d had to marry that mealy mouthed ol’ merchant!"
Annie’s keen eye for premium maleness zeroed in on Rhett Butler. She
immediately saw his allure and commented caustically about Scarlett’s
failure to gravitate toward Rhett until it was too late. Annie’s scorn
for Scarlett’s stupidity knew no bounds. Still, she realized that the
breakup of Scarlett and Rhett’s marriage was a foregone conclusion.
"Anybody with two glass eyes could see that Red (!!!) just wasn’t
right for Scarlett. And I don’t mean because he was always runnin’ with
the likes of Belle Watling. Plenty of deacons in the First Baptist
Church of Zenobia have done business with me and none the worse for
wear. But that Red! He was such a softie. Look at all them goo-goo eyes
he made over that little girl of his--Barney Blue. (!!!!) It was plain
as day he would always place that child over its mother. Plus, ol’ Red
always wanted to go back to Charleston and make up with the folks there.
Scarlett would never have fit into that scheme."
Annie paused for a few seconds and concluded her Rhettian evaluation
by theorizing that maybe Rhett intended to put Scarlett on that
stumble-bum pony instead of his daughter. She added, "Why, if Barney
Blue had just kept her little mouth shut, her daddy could have knocked
off his hussy of a wife, and they would have moved to Charleston in
style! Instead, Barney Blue hopped on that pony and got her neck broke
for the trouble!"
My imagination did flips as I sought manfully to digest this
proposed resolution to something Margaret Mitchell surely left
unexplored in her novel. On the other hand, why not? Maybe "Barney Blue"
would have grown up in Charleston and would have married a cadet from
the Citadel, and "Red" would have gotten his name on a marble plaque to
be mounted inside the French Huguenot Church.
I fully expected Annie’s movie review to end at this point. Such was
not the case, and I should have known. With Annie, the unanticipated is
always unexpected.
"Of course, them people who wrote the movie got it all wrong," Annie
announced firmly. "Scarlett never should have had to put up with the
likes of Charlie, Ashley, Frank or Red. There was only one man who
woulda’ been worth Scarlett’s time and effort, and they let her shoot
him!"
What!? Annie wanted Scarlett’s big romance to be with the Yankee
soldier who was stealing her mother’s earbobs?
Unfortunately, Annie’s evaluation of Gone With the Wind ended on
this enigmatic note. I could not let it terminate like this, and I have
projected what Annie undoubtedly had in mind.
Ike Awalt of the First Ohio Irregulars and Bummers Brigade breaks
into Tara and rifles a jewelry box. He is confronted by an armed
Scarlett, but he yanks the pistol from her hand before she can pull the
trigger. Ike slaps Scarlett around just to show her who’s boss. Scarlett
loves it. This is what she’s been seeking and not getting from all those
other guys. Ike kidnaps her and heads north, on the way commandeering a
horse and carriage once owned by "Red" Butler.
They eventually arrive in Lancaster, Ohio—-Ike’s home town. The two
are now married, and Ike gets a job at the local glass factory. There,
he assists the Union cause by helping manufacture whiskey bottles and
Mason jars.
Ever the social climber, Scarlett rejects a frame house near the
glass factory and pushes Ike to acquire a more expensive dwelling on
East Main Street, where the Lancastrian elite reside.
Fate has it that the Awalts move into a house next door to
Lancaster’s favorite son, Union General William Tecumseh Sherman. The
Civil War ends, and the Great Incendiary comes home only to discover his
golden years must be spent with Mrs. Ike Awalt glaring at and badgering
him from next door.
In this scenario, Georgia is avenged, and Billy Sherman learns the
hard way that Peace--like War--is Hell.
Now, that’s the way Annie would have written it!
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